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ATCs - Artists' Trading Cards

Two tri-folds

Gesso & collage

Distress inks, torn paper

Rubberstamping & collage

Collage, vintage trim

Photoart stamp over vintage text

Collage & journalling

Geisha trifold, closed

Geisha trifold - partially open

Geisha trifold, fully open

Nativity trifold, closed

Nativity trifold, fully open

Starlets trifold, closed

Starlets, left side open, right side closed

Starlets, fully open

Group of three

Click on the thumbnails to see the pix, wave the cursor to read the text

ATCs originated in the US about 10 years ago, by artists wishing to exchange contact details but not use a normal boring business card.

So these little cards evolved, combing all the usual details (name, phone, email, web address etc) and also showed a sample of the kind of artwork they produced. For this amount of information the usual business cards were too small, but baseball cards (ATCs were designed to the same measurements) were just big enough without being cumbersome. This meant that cards could be stored in commercial and easily available baseball card holders. ATCs have now caught on in a big way, and are an independent art movement: easy to make, quick to finish, these can be drawn and watercoloured, rubber stamped, collaged, machine stitched, hand sewn, quilted…. the only limit is the imagination.

Collections can be kept in loose-leaf albums in sectioned plastic sheets (the ones made for baseball cards), in tins, cigar boxes, niches cut into altered books, little handmade albums or individual glassine or cellophane envelopes.

 

These are made to a strict format:

  1. Size: 2˝ in x 3˝in (the size of an American baseball card)

  2. They must be original works of art (not photocopies)

  3. They can be given away, traded or swapped (NEVER sold)

ATCs can be made individually for one-on-one swaps, or in a numbered series (all on the same theme, but each a little different) or as an edition (all handmade, all as identical as possible – but numbered, eg: 1/10 – which would mean this card is the first one of a series of 10).

You might decide to number all your cards – so No 627 would be the 627th ATC you have made – an interesting way of keeping score of how prolific you are. Don't forget to sign them!

As these cards are tiny, you don’t need a lot of detail: just three elements...

  1. Create a background

  2. Add a focal point

  3. Add one or two embellishments

This will give you a nice, clean, unfussy work of art. Use small scale patterned papers, or create your own with rubber stamps.

Play with layers: try vellums for mystery, transparencies for extra detailing. Print words or phrases and cut them out, or cut out of vintage dictionary pages. Glue them onto the ATC to tell a story, add a little humour.

 

American paper sizes differ from those in the UK: the highest number of ATCs we can achieve from a single sheet of A4 cardstock is 9. (In the US, they can cut 10.)

How to cut 9 ATCs from one single sheet:

Measure across the A4 card (portrait orientation, as it would go through a printer) then mark 3 columns, each 2˝ inches across.

Mark 3 columns, each 3˝ inches high. Either cut out, and then work on each piece individually, or work the entire sheet as one piece (maybe paint, gesso & collage to create a background) then cut up into ATCs and add detail.

If producing a series or an edition for a swap, you might find it easiest to work on them all simultaneously, production-line style: do all the backgrounds first, then stamp or collage the main images, then add all the embellishments etc.

If you are lucky you might find a pack of playing cards which are exactly the right size, and save all that cutting!

Go here to see Altered Book: ATC holder

 

 
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© Susie Jefferson 2002-2009 inclusive. All rights reserved.                                           Updated 07/09/2009